Showing posts with label apollo hoax films. Show all posts
Showing posts with label apollo hoax films. Show all posts

Saturday, August 20, 2011

What Happened on the Moon Debunked Part 8

Concluding Disk 1 of 2

Minutes 127-128 We have a brief summary from Ronnie Stronge, whereby he refers to a firm conclusion as to the reason behind all the "anomalies" from the stills and movies. That is a re-assertion of what has preceded, yet I have already exposed it for misconception, lies, subterfuge and just zero understanding of how the missions were performed.

Then we have the dumb conclusion itself:-

All the "mistakes" observed, were in fact deliberate from all the people involved who wanted to unobtrusively blow the whistle. Rather than go to a news outlet, write a book, leave a deathbed confession, anonymous letter etc. They apparantly chose to leave "subtle clues" in the film, just like the James Bond film - bunkum. He cites life threatening danger to these people. Yet we have Bart Sibrel, David Percy et al. all free to say what they wish, alive and well. Figure that one out.

He offers the absurd glossing of this action, as the work of "brave souls who decoded their work with deliberate mistakes, which would be detected some time in the future".

Only by the people with a vested interest in selling books and films that is.

Whilst giving us his unique "insight" Percy shows two pictures with supposedly the same backdrop, which are taken nowhere near each other and show a clear difference in parallax. We are also shown the hotspot from Aldrin's boot, reinforcing the idea that they have proven their case.

http://www.youtube.com/watch?v=jrU5qp9lmJg

Back to Una Ronald. I shouldn't laugh here, but why an old lady is being used for her opinion on Apollo, when her previous citation about "coke bottles" is provable complete fabrication, is just beyond me. The film again uses the referback and affirmation method to instill in the viewer, that they have proven all the previous items. Flashes a coke bottle on the screen for effect. Facepalm moment.

Minute 128 Ronnie Stronge continues with yet another Hollywood movie - Capricorn One. They show the anything but convincing Mars set from the film, then we are told that the destination for the movie was originally the Moon. Who tells us this? Good old, "bare assertion is my word", Bill Kaysing! Bunkum.
Kaysing tells us a couple of locations where they filmed the Apollo footage. As always with Kaysing, not even one iota of proof, this from a man who was in the publications area of Rocketdyne, and had left 6 years before Apollo 11! Quite how he would be "in the know" on this information, they don't tell us. Fantasy from Kaysing, an embittered man who hated the US government.

Minutes 129-131 Stronge gives us once again their conclusion that it was all faked, and refers us to Brian Welch a NASA spokesman, who quite understandably requests that Percy take his findings to the scientific community to present his "stunning" research. For obvious reasons, Percy doesn't do this, he is a businessman making a film and book for money. Having his work stripped down and exposed as complete nonsense before film release, wouldn't do his sales any good.

Stronge sets the scene for disc 2, by begging the question as to "why it had to be faked". He lists the numerous things the missions had to do to be successful, all of which were rehearsed in previous missions, then cites mystery "experts". He says these "experts" all say, that any number of things could have gone wrong that would have jeapordised not just the mission but the entire space program. Unnamed experts making bare assertions, is not that convincing to anybody but a conspiracy theorist.

Percy gives us his uninformed opinion as to the "compelling reason" why Apollo had to be faked. He tells us that apart from the radiation risks(instilling in the viewer a sense of excessive danger to the astronauts), there would be unknown magnetic and gravitational anomalies that could cause taking off from the Moon "very dangerous indeed". He "stuns" us with his knowledge by referring to mascons, areas of greater mass and stronger gravity on the Moon.

What he fails to point out(probably deliberately) is that these mascons were identified already by NASA's unmanned program and were less than half a percent variation of gravity! For a long orbiting satellite, that would be a problem eventually, but for the short stay of Apollo they would hardly notice, with the capacity to perform simple corrective thrust burns for any deviations. Percy does not tell us the consequence for any Lunar magnetic anomalies, yet the viewer is left with his assertion.

Percy and Stronge then combine to give us the dumbest contention one could imagine. Percy first cites his list of anomalies as a reason why "acceptable" images would be difficult to guarantee, hence the strawman "need" to fake them in advance.

Stronge continues - quoted in full:-

"Some think it's highly likely that surrogate astronauts were actually sent to the Moon, while the named NASA astronauts were obliged to play out the role of space heroes, far nearer to home remaining in the relative safety of low Earth orbit. As actors in a drama, the named astronauts represented the greatest achievement of mankind whilst others unknown travelled beyond the confines of their home planet for the first time, to all intents and purposes naked before creation as we shall see in a moment."

Hogwash.

So the film now presents its trump card - we went to the Moon, but faked the pics, images and the actual men who did it!

This according to Percy, is because of the inability to guarantee the pictures and images would be good enough? Who are these "some people"? Why would they think such a ludicrous thing?
Hoax believers are very fond of quoting this film as evidence of Apollo as being faked, I wonder if they agree with the assessment the film actually makes!

Thursday, August 11, 2011

What Happened on the Moon Debunked - Part 7

Continuing Disk 1 of 2

Minute 118-120 We now move on to what I can only describe as a laughable contention from the film. This is where they suggest that a 10mph electric Lunar Rover should somehow produce huge "rooster tails" on Earth, because the footage we see on Apollo shows them and according to the film maker they aren't high enough!

The whole concept ignores the fundamental reason behind them being made in the first place, 1/6th gravity. On the Moon an object will have 1/6th the weight but the same mass. Now the Lunar Rover still needs to accelerate that mass to overcome inertia, but it has 1/6th the traction as on Earth. The actual mechanism involved to eject material from behind a vehicle also relies on the wheel spin speed. Whilst the wheel is in contact with the ground, there is less chance of the wheel obtaining enough speed to eject surface material, as there is when it rises (free of friction to accelerate). This is why most of the arcs are produced when it comes down after a bump in the terrain. The 1/6th gravity contributes quite significantly to the bouncing effect of the rover.

I have made a video debunking this section of the film:-

http://www.youtube.com/watch?v=79UAhuN6VPA


Minute 120-122 Percy starts the most famous clip from this film by making an incorrect statement. He says "astronauts moving in slow motion is another hallmark of the Apollo footage". This gives the viewer the idea that something has been slowed down.

Gravitational acceleration on the Moon will cause all objects to rise higher and for longer when even the slightest vertical movement is made. Together with less traction to move the 350lbs of mass, a restrictive suit has less traction to stop or change direction.

A short extract from a study explains this:-
http://www.ncbi.nlm.nih.gov/pubmed/9076966

"We investigated the effect of reduced gravity on the human walk-run gait transition speed and interpreted the results using an inverted-pendulum mechanical model.
We simulated reduced gravity using an apparatus that applied a nearly constant upward force at the center of mass, and the subjects walked and ran on a motorized treadmill. In the inverted pendulum model for walking, gravity provides the centripetal force needed to keep the pendulum in contact with the ground. The ratio of the centripetal and gravitational forces (mv2/L)/(mg) reduces to the dimensionless Froude number (v2/gL). Applying this model to a walking human, m is body mass, v is forward velocity, L is leg length and g is gravity. In normal gravity, humans and other bipeds with different leg lengths all choose to switch from a walk to a run at different absolute speeds but at approximately the same Froude number (0.5). We found that, at lower levels of gravity, the walk-run transition occurred at progressively slower absolute speeds but at approximately the same Froude number. This supports the hypothesis that the walk-run transition is triggered by the dynamics of an inverted-pendulum system."


We are told that astronauts never jump as high as they should do in 1/6th gravity, and later we are told they are on wires! Go figure that one out.

We are then treated to one of the worst examples of modern "special effects" by showing a man falling through some sort of wormhole suspended on wires. Bunkum.

I have already addressed some of this section:-

http://debunking-a-moron.blogspot.com/2011/06/gravity-and-motion-and-apollo-moon.html

Here is a video I made showing the sheer deception used by David Percy. The video shows how Percy has taken a small clip, deliberately avoided the sections either side of it, and made erroneous claims as to the motion sped up by 200% reflects Earth gravity.

http://www.youtube.com/watch?v=vawJhSnFcQ0

Now, the obvious lens flare from Apollo 14 that is alleged to be a wire, and the "ping" on Apollo 17! The Apollo 14 clip is a very over exposed piece of footage. Everything about the shot shows this clearly. The "ping" occurs exactly where the radio antenna sits, and the secondary reflection is not vertical. It is the most obvious case of a lens flare you could get. Quite why they would need to use wires on Apollo 14 in the first place makes no sense. There is not an awful lot of activity from what I can recall.

The Apollo 17 clip is an internal reflection probably made during the copying process. It has no such anomaly on the original footage. The "ping" is in the shape of the reflection seen a split second before, from the radio antenna.

http://www.youtube.com/watch?v=yqY1cYJEP_A

The section where he deals with the astronaut unable to jump high on the Moon, is a complete strawman argument. Here it is explained:-

http://www.youtube.com/watch?v=jxAz5OIzQsU

Percy continues by suggesting a "floaty effect" and a "dangly effect" of the John Young jump, then asks us to compare it with the Apollo gravity testing rig. I cannot fathom how somebody could suggest that a purpose built rig with sideways, vertical and forward stabilizers very clearly visible, could be compares to the mechanical motion from using thin wires. It is a ludicrous suggestion. Forwards and lateral mechanical motion would dimply be jerky and unresponsive due to the wire taking 5/6th (or whatever figure is claimed by hoax believers!) weight off of the astronauts.





















Percy shows a small clip from Apollo 16, where one astronaut helps the other astronaut up by pushing his hand. Since the astronaut weighs 60lbs, the idea that somebody could not do this is absurd. This is a fairly simple thing to do on Earth, where people are far heavier. Bunkum.

A collection of videos - Wires and jumping debunked:-

http://www.youtube.com/watch?v=QmSroT3RkmQ

http://www.youtube.com/watch?v=hjEItn1sSQg

http://www.youtube.com/watch?v=JBICR4PTLfc

A video showing the Apollo 17 astronauts trying to jump up high and falling over (obscured a bit by the Lunar rover):-

http://www.youtube.com/watch?v=16D0hmLt-S0


Minute 122-124 Percy pads the film out here by waffling about how the film could have been altered to vary the speed. Since his theory about double speed is shot to pieces by watching any number of clips at double speed, this is just a means to reaffirm in the casual viewer, that his "analysis" was correct. He shows the John Young clip at double speed and tells us it looks like it was on Earth. No, it does not. His fall to the surface is still too slow for Earth gravity.

Here it is at correct Earth freefall speed, with absurd motion:-

http://www.youtube.com/watch?v=axEFTsXlsfA


Minute 124-127 We are now shown the hammer and feather experiment on the Moon, where the idea is suggested that it is very easy to fake. Then David Percy gives us firstly his "ahaa!" moment by showing the clip of "From the Earth to the Moon" where there is an edit! Followed by a doctored experiment of his own on Earth.

Here is a video showing more deception by him:-

http://www.youtube.com/watch?v=AXVMnA1Xp5Y

1. The Apollo experiment corresponds to Lunar gravity.
2. The Earth experiment does not correspond to Earth gravity!
3. The Earth hammer hits the fround first.
4. The feather on the Earth experiment is weighted and bounces!
5. The hand holding the feather on Earth is lower.
6. The Earth feather drops predominantly vertically.
7. The slowed down Earth footage does not correspond to Lunar gravity.
8. Footage of "From the Earth to the Moon" has an edit in their depiction.
9. The speeded up Apollo footage, at 200% and 150% does not equate to Earth gravity.
10. The speeded up clip looks bizarre and does not show normal motion.

Wednesday, August 3, 2011

What Happened on the Moon Debunked - Part 6

Continuing Disk 1 of 2

Minute 102-106 "Mountain backdrops" are now discussed with Percy identifying various photographs with mountains of the same size in the background plus the mandatory eerie music! Mountains that are many miles away and thousands of feet high! He uses phrases such as "there appear to be" and "there seem to be".
He identifies some features on distant mountains, then suggests that because these features appear on numerous photographs aimed in that direction, that this is somehow suspicious. Distance on the Moon is totally different to Earth. There is no atmospheric haze to give perspective.

Here is a perfect demonstration. As you watch this, assess how big you think that rock is. Now watch as they just keep on approaching it:-

http://www.youtube.com/watch?v=w8J-pcvRYnU

Percy uses a closer image to "establish" that the LM is in "close proximity" to the distant mountain. It isn't. It is just pure camera perspective on a faraway feature of significant size. We then switch to a view from a large rock, apparantly showing no LM. The LM is actually far to the right of the picture. The effect is called parallax. Twenty seconds later, Percy actually shows the LM some distance away, to the right of the rock. He overlays a partial of the mountain and suggests that it shows duplicate backdrops.  His partial is not the same size!

The mountain is very big and very far away, it is just subterfuge to suggest that this is not the case. He again compares the LM a mile or two away, with the same close up previously used, showing the same mountain range, and suggests that it is identical. He makes the observation that gives the whole thing away, "what appear to be absolutely enormous mountains". Precisely!

The mountain is closer, slightly bigger and at a slightly different angle.

Perspective demonstrated perfectly with a truck and house that never move, taken with different zooms and lenses:-




















We then move to the comparison between a shot due West of mountains a considerable distance away, and the final shot from the landing site also facing due West. Here he uses subterfuge by circling a rock on the Station 5 picture, and compares it to the LM shot where he circles the flag!! Just blatant lying.

Percy never overlays the two images. Here they are side by side, with the station 5 direction(1300 metres away) indicated on the top one. Notice the flag to the right of the LM, and in the picture below a rock in a similar position. These are the two things he compares.











Notice from that picture that whilst the left-hand ridge lines up, the right-hand one does not. The Lunar rover has travelled in the direction of the yellow arrow and the camera sees these two far away ridges from a different perspective.

Station 5 pan 1300 metres West of the LM:-

http://www.panoramas.dk/moon/apollo-17.html

Here is a great video that shows how little distant perspective changes when we have mountain ranges far from the camera:-

http://www.youtube.com/watch?v=PPS1lSqYIi4


Minute 106-111 This is where Percy compares the various mountains to the side of this huge Moon valley, and isolates a few pictures at different stations, and says because they haven't altered much, proves they shot them in the same spot! Bunkum. Again, just in case I have not made this clear, the mountains are very big, and many miles away. Percy insists that these are continuity errors, when in fact they are perspective, location and distance related. His conclusion never acknowledges, that the lack of atmosphere is a major contributory factor to the absence of a point of reference in assessing distance.

Here is another great video showing how the terrain altered between the LM and station 5, with the same mountain view over quite some distance travelled, and also highlights the ramblings of another noisy Moon hoax believer - Marcus Allen (n.b. Pay attention to the dialogue at the beginning, it is Bill Kaysing telling us how he started his campaign of Apollo being a hoax) :-

http://www.youtube.com/watch?v=coMGccvTK6g

We are now told that "tell-tale joins" are an indication of backdrops. These so called joins when we view the full high resolution pictures are so obviously blurred distant objects.

Quick video to demonstrate this idea is more bunkum - camera zooms up the mountain towards Hadley Rille:-

http://www.youtube.com/watch?v=CeDiCJdUJWE

This video just nails this idea cold. Demonstrating projection or background technology was not able to do these "backgrounds":-

http://www.youtube.com/watch?v=nVFjBU7zIEU

This next video debunks this "backdrop" idiocy. The Lunar rover traversing towards Mount Hadley, distant mountains don't get noticeably nearer. They are very far away, and very big. Mount Hadley itself is 15000 feet high! Nothing on Earth could do that with crisp, dark and single shadows, evenly lit surface, approaching rocks, far away mountains of considerable size. Area 51? Bunkum!

http://www.youtube.com/watch?v=m-6dWPf0LXE

This video examines two of the examples shown in the film, and demonstrates quite how deceptive Percy is in his summation:-

http://www.youtube.com/watch?v=UGKjOjbZhSI

Final nail in this stupidity resides in Mount Kilimanjaro on Earth. Same "backdrop" but just look at the foreground. Distant mountains on Earth, do the same as distant mountains on the Moon!
















































Minute 111-115 I actually belly laughed at this section. Here Percy says "rather significantly" the footage from "Diamonds are Forever" showing the scene where James Bond breaks into a complex, discovers a Moon set and escapes.

Percy concludes "the grey dome building looks remarkably like the Northern Hemisphere of the Moon". What a crock!
































Apparantly this is whistleblowing on a very grandscale!

Who by? Guy Hamilton the director, the script writers, Harry Saltzman & Cubby Broccoli? Are they all in on the hoax? Bunkum of profound stupidity.

Unbelievably Ronnie Stronge then continues with this hogwash by suggesting Ian Fleming was in on the "know", despite his book bearing almost zero resemblance to the movie script. Percy tells us this 1971 movie is littered with "subtle clues", the next one being a truly facepalming link so tenuous it beggars belief.

He links the clip where Bond impersonates a Radiation shield inspector (for radioactive emissions that have zero relevance to space radiation!) to nose around, as being indicative of something suspicious. This is setting the scene for later bunkum about radiation doses in space. It serves to reinforce in the casual viewer a sense of the big "ahaa" moment to come. The scene concludes with my own take on this stupidity with the last piece of dialogue.

"our shields are fine now get out"!

Ronnie Stronge then stinks it up even more with this statement:-

"The Movie Diamonds are Forever is confirmation though that some works of fiction can communicate vital clues".

Hoax believers and conspiracy theorists fall for this kind of thing all the time, if it wasn't so sad, it would be laughable.


Minute 115-118 The movie now concentrates on establishing the fact that NASA had complete control of everything broadcast from the Moon. How could it not have!? It then goes on to suggest that the entire broadcasts from the Apollo missions were all recorded on video before being transmitted. Utter hogwash.
Apollo 11 did this due to the nature of cameras used and the technology to transmit on s-band carrier waves. At no point did NASA ever make secret the fact that the Apollo 11 transmissions were converted so that they could be shown on TV. Apollo 12 intended to do this, but had a terminal camera failure. Apollo 13 did not make a landing.

However, Apollo 14 - Live TV from the Moon - direct feed:-

http://www.youtube.com/watch?v=SXeHmakq_rY

Apollo 15/16/17 used remote controlled TV cameras from Houston! The entire mission in all cases was broadcast live on Earth.

The purpose of this section was to indicate "how easy" it could be to insert pre-recorded films into the loop, but never explains the stunningly complicated logistics involved. The whole of mission control would be seeing pictures, hearing and seeing nearby personnel talking with astronauts on the Moon, with daily Earth news relayed to the astronauts as part of the live footage. There is also the sheer number of personnel who would have direct exposure to this situation, yet not one of them has made any admission of potential subterfuge.

This whole idea by Percy is astonishingly simplistic subterfuge. The idea that hundreds of hours of pre-recorded footage was shot, gravity somehow faked (which I will later show as completely impossible!), interactive dialog was "inserted", highly directional radio signals from the landing site and Command and Service Module were somehow "manufactured" plus so much more, is completely untenable. It patently ignores the tracking from third parties such as amateur radio hams.

http://en.wikipedia.org/wiki/Third-party_evidence_for_Apollo_Moon_landings

I made this short video detailing the barest minimum involved:-

http://www.youtube.com/watch?v=HyVJt857e7Q

For those actually interested in the TV from the Moon, here is a PDF detailing the technology involved. Many people were involved in this, and the idea that they were all somehow hoodwinked is ridiculous. The idea also that they freely took part in a hoax is equally absurd:-

http://history.nasa.gov/alsj/ApolloTV-Acrobat5.pdf



Part 7....

Sunday, July 31, 2011

What Happened on the Moon Debunked - Part 5

Continuing Disk 1 of 2

Minute 89-91 More from Ronnie Stronge telling us about all the Apollo 13 anomalies found(already debunked), and concluding that "something is very wrong with this mission and the Apollo space program in general". This is just bare assertion aimed at influencing the viewer, and uses the reinforcing technique of all the "evidence" presented. He says "we certainly have to conclude that the official data concerning this mission is unreliable"!  Unbelievable bunkum. They have not presented one single tenable fact to conclude this.
Stronge just spouts more bare assertions about it being designed as a "rescue mission" and that Apollo 13 never left LEO. Ignoring the fact that the craft would be clearly visible to the world, radio signals would now disappear with each 90 minute orbit and every single ground station tracking the craft would see this.

Minute 91-93 Mary "epic fail" Bennett now comes up with top grade bunkum. She highlights inconsistencies with Apollo 13. No, not the NASA mission, the Hollywood movie! Yes, she really does think that a dramatized account should be 100% accurate and proves that Apollo 13 the mission would have done the same thing. I really cannot emphasize enough, quite how stupid this is.

There are quite a few more errors on the Apollo 13 movie, that could have padded out this joke of a film even more:-

http://www.imdb.com/title/tt0112384/goofs


Minute 93-94 Continuing with more Bennett nonsense. She now theorises whether the reason the landing site "that never was", took its name from the 16th century Venetian monk Fra Mauro, was because he was the instigator of a "map that never was".

Well firstly, we have already shown the landing site in darkness contention was complete bunkum, and the program presents no evidence to this non-sequitur link about fake maps. Secondly it was the 15th century, a minor point, but indicative of the level of research made. She represents herself as an academic, yet makes so many glaring mistakes and unsupported statements.

Direct quote from her "yet no trace of his map has ever been found":-

http://en.wikipedia.org/wiki/Fra_Mauro_map

I simply have to do a full quote on what this daft woman says next:-

"This adventure in mind mapping raises important questions concerning the links, between representation and imagination and even the nature of reality itself......we wonder what the Fra Mauro site symbolised for those in the know at NASA"

Stink it up, and you call that evidence?

http://www.lpi.usra.edu/lunar/missions/apollo/apollo_14/landing_site/

The landing site selected for Apollo 14 was in the Fra Mauro Formation near Cone Crater, with the primary objective of sampling material excavated by the Imbrium impact.


Minute 94-95 Stronge announces that we are returning to more shadow inconsistencies. By "more" he reaffirms in the casual viewer that they have already shown some already, when they haven't. Percy continues with a TV shot of an astronaut exiting on Apollo 14 and offers the speculation "is this real or has it been simulated on a film set"? It's real. He uses his filled in light bunkum to "explain" it. Surface reflection.

Percy continues with his "ahaaa" whistleblowing theme, with some comments from the clip below:-

http://next.nasa.gov/alsj/a14/a14v.1141931.rm

114:19:16 Mitchell: Okay, set her up.
114:19:17 Shepard: Okay. All kinds of freebies in today's simulation.
114:19:27 McCandless: Roger. We've got the boys in the Backroom working overtime.

Perhaps he should list to other parts of the transcript?

114:20:34 Mitchell: Okay! There's Earth, way up there.
114:21:57 Mitchell: Back up just a bit. Right there. Okay, I have the Earth centered.

Obviously jokes aren't allowed on Apollo. Shepard was referring to the various glitches inserted into simulations back on Earth, as he encountered problems with the radio antenna on the Moon. To the deceptive Percy however, this represents "whistleblowing"! Edgar Mitchell has made numerous claims about UFOs, as he freely blows his large whistle in public, yet strangely we never hear a peeop from the even bigger Apollo whistle.

http://www.examiner.com/us-intelligence-in-national/ufo-phenomenon-is-real-says-apollo-astronaut-edgar-mitchell-on-abc-news-why-the-cover-up


Minute 95-96 Refers to "flat terrain" on an Apollo 15 clip where the shadow is "similar in length" to the astronauts height (it is longer), and the quote "shadows make a real difference up here". We then get the smarmy Percy saying "yes they certainly do", implying once again that his completely inept shadow analysis previously presented carries some weight. He then proceeds with shadows in a later part of the EVA where they appear longer.

The clue in this piece of subterfuge is with the angle of both the Lunar rover camera and the astronaut appearing to lean to his left.The shadow falls on a downslope!



































It is this very cherry picking mentality, that perfectly demonstrates the way Percy presents his claims. Blatant lying.


Minute 96-97 Here we begin the "irrefutable" proof of "superlights" by Percy. Refuted on this previous analysis:-

http://debunking-a-moron.blogspot.com/2011/07/superlight-contention.html

This is the video I made showing it in detail:-

http://www.youtube.com/watch?v=yWyjuCGEODU


Minute 97-99 More summation from Stronge who reaffirms the "superlight" to the viewer. He begs the question "how could NASA hope to get away with it?" "could it be a very large whistleblower?", then offers the answer to his dumb strawman questions!

His answer is "as Hitler said, the bigger the lie the more easier it is for people to believe it". Facepalm.

Continuing, Stronge then postulates a "seemingly ridiculous" hypothesis, the "outrageous" idea that all the footage was filmed in studios - indoor and outdoor. Short answer to this, yes it is. On Apollo footage we always have dark shadows, no dust clouds, lunar gravity motion, dust motion consistent with that gravity, vast open areas that have no features recognisable on Earth, always evenly lit with always one shadow. Hundreds of hours with no continuity errors, with photography matching the video and always fully consistent with it.


Minute 99-100 Cue images of Area 51 and dramatic music!


Minute 100 Now we leap to the bizarre. Stronge identifies the sinking of the Lusitania. Percy takes over and indicates that the media mocked up a rendition of this, and "presented it as real events" - when it obviously isn't. We move on to the Hindenburg disaster cause being withheld, because supposedly it wasn't the hydrogen at fault, but the outer covering as being the cause. Bunkum, and irrelevant in the extreme!

http://www.airships.net/hindenburg/disaster/myths


Minute 101-102 Cynically this film presents the Challenger disaster, but fails to make any point concerning it!

Percy summarises a woefully short list of what would be involved in faking the entire film and video record, including all the personnel, then astonishingly claims that nobody involved would have noticed, because it was performed over "such a long period of time"! Nobody allegedly involved in simulation that would need to look real, has ever come forward or made any deathbed confession. Mind numbing, simplistic, ignorant hogwash.


Part 6.....

Friday, July 29, 2011

What Happened on the Moon Debunked - Part 2

I want to briefly touch on another obvious point that this film creates in the viewer's mind. The old adage "no smoke without fire". By creating such a long padded out film, those who have no skills pertaining to what is suggested, or the inclination to check them out, are left with the overwhelming conclusion that "there must be something to it", because there is so much "evidence".

However, when you dissect each point one by one, it is patently obvious that this is merely a business venture that exploits those who take little convincing.

Continuing Disk 1 of 2

Minutes 26-28 Percy shows us a modern composite of a Honda commercial and begs the question of the viewer. Nowhere has he demonstrated the same effect in an Apollo picture, yet he leaves the impression that he has. He cites a ludicrous example from Apollo 17, again missing the multiple light sources equals multiple shadows fact.

Here is a link to the high resolution picture:-
http://www.hq.nasa.gov/office/pao/History/alsj/a17/AS17-134-20425HR.jpg

The rocks that he says have different shadow directions are in undulating areas, where the shadow falls down subtle small slopes. Anybody looking at that picture who thinks it is a composite from 1972, is either lying, uninformed about 70s technology or just plain wrong.

Here are some Earth shadows demonstrating his whole contention as just a pack of lies:-












































Minutes 28-29 He looks at the famous C rock picture itself clearly on a slope with undulations and draws these same idiotic shadow conclusions.Then he parrots the theory about the letter "C" (a piece of lint on a copy of the original that has no "C"!). He postulates that the "C" is a prop, and stands for either "center" or some rambling about it meaning light, since C is the constant for the speed of light!! Just pure bunkum.

Completely debunked here:-

http://www.youtube.com/watch?v=cEygpL7r6Pk

http://www.youtube.com/watch?v=3DtzBMIKIp8

http://www.youtube.com/watch?v=xxwL4DCzUN4


Minute 29  Bizzarely the film starts talking about the speed of light constant varying with local gravity fields!?? I can only assume they are trying to bamboozle those viewers who have no real scientific background.


Minutes 29-31 The film lays the premise that backlighting had to have been used, since objects would show up as black with the light source behind them. This is patently wrong. Percy uses an Earth shot, where the backlight shows up in the visor as an example, yet as expected could find no examples of pictures with any such backlighting reflections in the visor. Further, any backlighting not from the surface, would wash out the shadows. Always in every shot, we have crisp dark shadows, something you simply would not get outdoors with an atmosphere either.

The backlighting is from surface reflection. I already analysed that on Link 2 of this page:-
http://debunking-a-moron.blogspot.com/2011/07/some-cosmored-hoax-links.html


Minutes 32-33  Percy makes the astonishing comparison of the light capabilities of a modified 10 frames per second TV camera which had a high intensity night lens, to a Hasselblad stills camera which has variable shutter and aperture! He makes the claim that because one had a night lens, so should the other. Bunkum. Actually he is just lying, this man is supposed to be a cameraman and would know this.


Minutes 33-49 This is more about supposed backlighting, again covered in detail on the same Link 2 here:-
http://debunking-a-moron.blogspot.com/2011/07/some-cosmored-hoax-links.html

As further demonstration of the surface being the backlight source, the picture directly before Percy's example where he cites something that should be in shadow, actually shows the bottom of the PLSS much brighter than other parts of his suit. In addition it is much brighter than the actual area we would expect to be bright, if Groves "analysis" of his phantom light source was correct!

Here is a link to the actual picture:-
http://www.hq.nasa.gov/office/pao/History/alsj/a11/AS11-40-5863HR.jpg

Here is why Groves analysis is contrived hogwash:-























Minutes 50-51 The presenter Ronnie Stronge now offers more conjecture aimed at swaying the audience. He presents a "case proven" on the supposed fake images with vague strawman references saying how even one suspect photograph proves the case. Since I have shown that no such proof has been given, we can assume that it is aimed at promoting the idea in the viewer that it has been.


Minutes 51-55  We now have possibly the most contrived, dishonest and ludicrous of statements in this whole film. A woman nobody has heard of, talking about a coke bottle that nobody else saw, not reported in any publication, and supposedly put there by a Goldstone whistleblower!! Bunkum of the highest order.

http://educationforum.ipbhost.com/index.php?showtopic=14523

"Una Ronald claims to have “stayed up late” to watch the live broadcast of the Apollo 11 moonwalk when living in or near Perth, Western Australia. She was amazed to see a “coke bottle” kicked across the lunar surface. This object was only seen during the live broadcast and was removed from replays in the days following. She also claims to have seen, about 7 to 10 days later, several letters mentioning the same thing in her local paper (The West Australian).
This claim has many irregularities, and researchers have discovered what might be an explanation. To begin, it is claimed that she “stayed up” to watch the live broadcast. This might have been the case in the United States, but it was not in Perth. The first step onto the Moon occurred at 2.56am on 21 July 1969 – Greenwich Mean Time (GMT). Perth is 8 hours ahead of GMT, so it occurred at 10.56am in Perth. That’s in the morning.
The moonwalk video was actually received by ground stations in the eastern states before being transmitted to Perth (see http://www.honeysucklecreek.net/Apollo_11/index.html  for more details).
The claim regarding the newspaper reports are also incorrect. For at least two weeks following the broadcast, there were no articles or letters regarding sightings of a “coke bottle” in either The West Australian or the Daily News, the only two daily newspapers in Perth at the time. I have personally checked this, and any interested party can examine copies of the various editions of the papers on microfiche at the Batte library (State Reference Library) in Perth.
What Una Ronald probably saw was a reflection of Buzz Aldrin’s visor, reflected inside the television camera lens. This effect is known as catadioptrism, or “ghosting”."

Explained here:-
http://www.clavius.org/cokebottle.html

I should point out the continual references being made to "people in the know" having the opportunity to "whistleblow"! Hoax believers cite that it would take only a handful of people with knowledge of this "hoax" to pull such a thing off, yet here we have all these numerous people supposedly with first hand knowledge of it. None of whom has ever come forward, made a deathbed confession or said anything about it whatsoever to anybody. Bunkum.


Minutes 55-56 Bill Kaysing gives us his opinion with no references or proof as per usual. Kaysing already discussed in Link 1 of this analysis:-
http://debunking-a-moron.blogspot.com/2011/07/some-cosmored-hoax-links_16.html


Minutes 56-57 Begs the question about what "we know" about Apollo 11 TV transmissions(this is the referback method, meaning his debunked "transparency on the window" nonsense) , and then more back references to Coke bottles and whistleblowers.

At this point we are treated to some mysterious music and a few clips of video from Apollo.


Minutes 57-59 Talks about how easy it was to use the camera and align the subject of each photograph. We are told quite correctly that the astronauts spent quite some time practicing with the camera before their missions. His motive in doing this, is to later present the claim that it shouldn't have been possible with "cumbersome" pressurised gloves.

http://history.nasa.gov/spacesuits.pdf

"There are two protective envelopes employed in the space suit: an Inner pressurizable envelope, and an outer thermal and micrometeoroid protective envelope. The inner pressurizable envelope Is called the Torso and Limb Suit Assembly (TLSA); this assembly Interfaces with a detachable helmet, and a pair of removable gloves.
The outer envelope used for thermal and micrometeoroid protection Includes an Integrated Thermal Micrometeoroid Garment (ITMG), a Lunar Extravehicular Visor Assembly (LEVA)..."

Minutes 59-60 Percy cites the example of setting up the TV camera on uneven surface and aligning it, to suggest that it is the same as a chest mounted camera that they had practiced with. He also uses one of his throw away lines to further suggest that all the photography was studio quality and perfectly aligned.

Debunked here:-

http://www.youtube.com/watch?v=nRvNPyYCvBo


Part 3.......

Wednesday, July 27, 2011

What Happened on the Moon Debunked - Part 1

Before I begin to debunk this film, I would point out some common practices used by film makers of this type. The various techniques used are a combination of bare assertions and flawed examples followed by a generalisation referring back to the examples shown, as a means to imply the assertion as being proven. To anybody who has even a modicum of understanding in the various sections of photography, perspective, parallax, physics and logical fallacies, the arguments presented are quickly seen to be nonsense.

I would ask that anybody who watches this film, is observant of these techniques and takes careful note of how they present their so called evidence. There is simply not enough time to do a statement by statement analysis, so I will concentrate primarily in debunking each claim and pointing out how they use subterfuge to apply it to things not mentioned.

Disk 1 of 2

Minutes 1-7 Primarily makes bare assertions and begs numerous questions. It presents one piece of "evidence" from the "genius" Bill Kaysing, who quotes a study in the 50s of how likely it would be to land on the Moon. As though a study made without any real space program in place would be accurate, given the tremendous advances made with Mercury and Gemini, allied with increasingly popular satellite technology. We also have just Kaysing's word on the figures quoted in the study.


Minutes 7-8 Introduces the moronic contention that the flag movements in a vacuum during the act of placing them in the regolith, was down to wind blowing, yet we fail to see any ground disturbance from this implied wind.

Straightforward explanation video:-
http://www.youtube.com/watch?v=yc_mmtAxjMk
Mythbusters debunk:-
http://www.youtube.com/watch?v=yhab86KoVjU



Minutes 8-10 David Percy makes more bare assertions about "whistleblowers", fakery and obvious anomalies. He states the inaccurate claim that TV was always filmed off of a screen on Earth, when this was only on Apollo 11 due to the way the signal was sent:-

http://www.clavius.org/tvqual.html


Minutes 10-12 He basically starts to lie. He indicates a "continuity error" occuring on the Apollo 16 mission (one that had a delayed landing of 6hrs due to technical difficulties), concerning a missing flap on the TV footage. One technique he uses at this point is to make a throwaway comment that makes the assumption that it is proven. He states "let's ignore the reasons as to why such a small jump in the 1/6th gravity of the Moon". This is wrong for two reasons.

The jump was certainly not made using maximum effort, and he weighs 360lbs on Earth. Try jumping with somebody on your back on Earth, you probably won't even get off the ground!

Explained here:-
http://www.youtube.com/watch?v=jxAz5OIzQsU

Now this supposed continuity error - a blatant lie shown here:-
http://www.youtube.com/watch?v=d0OS26q20R0


Minutes 12-17 Percy alleges that a transparency was clipped to the window to fake Apollo 11 half way to the Moon, says the blue glare on the window is the Earth, when it is the coating used to protect it. The whole thing is debunked in the most thorough fashion by proving weather patterns matched the view from the CSM in all 3 transmissions and the Earth disappears to the side as the camera pans back (must be a magic transparency!).

Not only would any craft be clearly visible to the Earth whilst in LEO, its radio signal would disappear with it orbiting every 90 minutes. Bart Sibrel, cited in this clip, made a 10 minute segment of his film alleging it was the Earth itself (not a transparency!) which is just totally impossible. He changed his claims later on (in line with Percy), after being barraged with counter argument showing his stupidity.

Here are numerous videos showing both these contentions are just complete bunkum, and the film makers are lying through deliberate omission!

Video 1:-

Demonstrates that during the footage filmed from the CSM, stills taken from the footage (supposedly a transparency) are moving in line with the Earth rotation.

http://www.youtube.com/watch?v=GMe4kBklHhA

Video 2:-

Shows a brief clip from the transmissions that see the Earth disappearing to the side of the window. Very much not like a transparency!

http://www.youtube.com/watch?v=ZHnGDFowHlY

Video 3:-

Shows a stunning demonstration of the weather patterns matching the Apollo 11 half way to the Moon video.

http://www.youtube.com/watch?v=2OnZwqc-96Y

Video 4:-

A different weather pattern demonstration.

http://www.youtube.com/watch?v=d3qEoA35cLs
Video 5:-

A thorough debunk of both Sibrel and Percy demonstrating how they lie.

http://www.youtube.com/watch?v=2T9ZM50n0z4



Minutes 17-20 Introduces David Groves and Bill Wood, makes more bare assertions and casts "suspicion", nothing really said.


Minutes 20-22 Shows a "contradiction" in the Kodak film used, where a NASA spokesman says it was specially made, and a Kodak man who says it was not. The Kodak man was mistaken. The film implies subterfuge as is the normal theme running through it. Simple mistake from the Kodak man. The narrative is building the strawman that the film could not possibly survive in space because it uses standard available film.

"Kodak Film in Space: John Glenn became the first American to orbit the earth, Kodak film recorded his reactions to traveling through space at 17,400 miles per hour. Kodak was asked by NASA to develop thin new films with special emulsions double-perforated 70mm film, which permitted 160 pictures in color or 200 on black and white. Apollo 8 was one of the first missions to use this film. There were three magazines loaded with 70 mm wide, perforated Kodak Panatomic-X fine-grained, 80 ASA, b/w film, two with Kodak Ektachrome SO-68, one with Kodak Ektachrome SO-121, and one with super light-sensitive Kodak 2485, 16,000 ASA film - which produced 1100 color, black and white, and filtered photographs from the Apollo 8 mission."


Minutes 22-23 I really don't know what the film is suggesting. Jan Lundberg confirms the camera was specially adapted by Hasselblad on NASA's original specification, which they then improved upon.


Minutes 23-24 More deception. Shows photographs where the cross hairs(reticles) appear to disappear "behind" objects. He deliberately uses low resolution photographs, knowing that the higher resolution ones do indeed show the reticles, but fainter on brighter areas where the light has bled on to the film. He makes the strawman statement about how it would be totally impossible for objects to get in front of the reticles, when no such thing ever occurs!

Demonstration of this on Earth:-

http://www3.telus.net/summa/moonshot/cross.htm

A good debunking of the subterfuge:-

http://www.xmission.com/~jwindley/photoret.html


Minute 24 Shows Jan Lundberg appearing to disagree with NASA about the use of Reticles to judge distance by suggesting that stereo-pairs were needed to perform this. They then just lie about there not being any stereo-pair photographs from the mission! The link just above has one of many examples used in the Apollo photographc record.



Minutes 24-26 Percy, continues with his "photagrammetric" bull, citing non parallel shadows as indicative of fakery(bunkum first voiced by Kaysing). To say this is just pure stupidity negates the fact that he is just plain lying. In his main example, he actually draws lines to a point where he says extra lighting had to have been used, but misses the stunningly obvious fact that multiple light sources create multiple shadows!! Also, the lines he uses to create an intersection, actually cross each other in the shot! Just mind numbingly wrong.

Numerous shadow debunking videos and photographs:-

Simple 30 second debunk.
http://www.youtube.com/watch?v=ATrFuCnW6T8
Mythbusters just nails this totally.
http://www.youtube.com/watch?v=Wym04J_3Ls0
Nailed again.
http://www.youtube.com/watch?v=Fy9rkc8jq0k
More simple demonstrations.
http://www.youtube.com/watch?v=AnrPaz3xFIg


These weblinks further explain it, with clear examples showing Percy as a liar:-
http://www.xmission.com/~jwindley/trrnshdow.html
http://www.clavius.org/shad15.html
http://www.clavius.org/a11rear.html


This website completely nails a direct example used by the film:-
http://www3.telus.net/summa/moonshot/shadows.htm
http://www3.telus.net/summa/moonshot/shadows2.htm


Part 2......